RECORDINGS • Electroacoustic (various compositions)
"Akas" 2011.
Composed for ESART Digital Music Ensemble, showcased at "Casa da Música" and "Serralves em Festa" in Oporto, among other places. This piece was written for Apple Macintosh computers, it uses macbook's accelerometer x, y and z and also infra-red sensors as new ways of expressing musical ideas.
Composed for ESART Digital Music Ensemble, showcased at "Casa da Música" and "Serralves em Festa" in Oporto, among other places. This piece was written for Apple Macintosh computers, it uses macbook's accelerometer x, y and z and also infra-red sensors as new ways of expressing musical ideas.
"Coordinations of the Harp" 2011.
Algorithmic composition (using Markov Chains, Logistic Map and L-Systems) for harp and electronic.
Algorithmic composition (using Markov Chains, Logistic Map and L-Systems) for harp and electronic.
“Series of Steps” 2010.
Algorithmic composition (using AC Toolbox) for piano and electronic.
Algorithmic composition (using AC Toolbox) for piano and electronic.
“PET” 2010.
Psychoacoustic composition that uses concepts like overlapped melodies, gestalt perception principles, reverse reverb, among others.
Psychoacoustic composition that uses concepts like overlapped melodies, gestalt perception principles, reverse reverb, among others.
“Vessel” 2009.
Electroacoustic composition for a processed glass harp and electronic.
Electroacoustic composition for a processed glass harp and electronic.
“Matrix Trains” 2009.
Serial composition for piano and electronic.
Serial composition for piano and electronic.
“Contact” 2008.
Electroacoustic composition for a contact mic and electronic processing.
Electroacoustic composition for a contact mic and electronic processing.
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